As part of my meetup group NY Comic Book & Graphic Novel creators, we had as our guest speaker, Heather Antos. Heather is currently the editor of the Star Wars and Deadpool titles for Marvel Comics. She talked about breaking in, her work as an editor and her pastry of preference.
It’s no secret that the comic book projects that seem to do best on Kickstarter are the ones with creators who already have big names or properties that have been building up huge followings for years. But what about the part-time creator who doesn’t have the brand equity that these other Kickstarter giants do? Is Kickstater a viable way to fund, produce and distribute a regularly produced comic book? I wanted to find out so I cornered a few guys who were putting out KS books on a regular basis. Their answers were quite insightful.
The very first prose novel I ever read was Superman: Last Son of Krypton by Elliot S. Maggin. Years later while I was trying to make it as a comic book artist, a good friend was going to introduce us. But the industry tanked before that could happen and I went off and did advertising for 20 years. Then Facebook happened, I friended him and eventually mustered up the guts to ask him for an interview. I had a ton of questions about his recent re-release of his book Miracle Monday, his political aspirations, his years at DC Comics and how…
While working on The Hard Code together, I got to interview one of my all-time favorite artists, Trevor Von Eeden. In it, he talks about how he got his start, his DC years and some great advice for aspiring creators. The piece was published on Comic Creator News and was also reported on by Bleeding Cool, The Comics Beat, The Comic Reporter, The OutHousers and more! Click here to read the complete interview.