I thought it might be of interest for some of you to read about my latest Kickstarter campaign recounting the day-by-day progress, including all my research, assumptions and assets. FACT: I had already completed the first issue of THE HARD CODE last year and was finally able to muster the funds needed for the second issue earlier this year. Artist Trevor Von Eeden finished the pencils for 19 pages in less than three weeks. Lui Antonio inked issue #2 and Macarena Cortes did coloring chores. All I needed now was money to print them. RESEARCH: I went on Kickstarter and…
For those of you who are feeling dejected over not getting into the DC Comics Talent Workshop, keep at it! Here are two letters I got from Tom DeFalco. One was a rejection letter. The other was the introduction for my first trade paperback. And it only took 24 years!
Dear fellow creators, I am working on a possible new distribution system that would benefit self-publishers. But I need your help in figuring out some of the factors. If you could, kindly fill out the simple 5 questions below. Thank you!
A Week-by-week account on the trials and tribulations of my latest Kickstarter campaign. Despite this being my 4th Kickstarter and all the research and pre-promotion I had done, the campaign didn’t actually bust out of the gates like gangbusters. But it has been steadily chugging along. “I hope I can. I hope I can.”
There has been a lot of noise, lately, from various camps about the racial retconning of many classic comic book characters. I have to say, I think it’s a good thing.
There’s a book by W. Chan Kim and Renee Mauborgne called Blue Ocean Strategy. It’s not a comic book or a graphic novel. Heck, it’s not even fiction. What it is is a business book. “Ramon, why are you writing about a business book?” you may ask. Well, because if you’re trying to make money in comics, then it’s not just an art it’s a business! So what is the Blue Ocean Strategy? Basically the concept is that you want to start a business in a blue ocean versus a red ocean. In a red ocean, there’s lots of competition. A lot…
We’ve all done it. Look at a piece of art, a page, or a whole book and we turn our heads sideways and “squint,” sometimes metaphorically, until it looks good to us. We do this with our friend’s works and also with our own.
I don’t really make a lot of noise about it since I’m trying to do this subtly, but one my missions in life is to raise the visibility of minorities in the media, especially Asian Americans. If you look closely at almost all my comic book work, you’ll find that they feature people of color as the lead characters. Contributing to the Gwan Anthology is an opportunity to further that mission.
I recently had to write content for a “Career Tips” page for the new website The Comics Professionals Directory. Here’s what I came up with:
I’ve seen the ’66 Batmobile lots of times. Once at Cerritos Mall as a teenager and a few times at various comic cons. But at Hudson Valley Comic Con, I had the good fortune of tabling next to Jane Haslam, cosplay photographer extraordinaire!